During my studies I wrote an article entitled “List of Top 10 Architecture Books for Student Architects.” The books were selected because they inspired creativity, innovation and invention.
The following Architecture book recommendations are from Architects who have inspired their peers and generations of students to follow.
This is part two in a three part series where I have asked influential Architects to share the books that have inspired them. For recommendations from Daniel Libeskind, Bernard Tschumi, Ben Van Berkel (UN Studio), Ricardo Scofidio (DS+R) and Michael Sorkin you can checkout part 1 here. For recommendations from Alex Mustonen (Snarkitecture), Steven Holl, Maya Lin, Greg Lynn, Richard Meier and Denise Scott Brown you can checkout part 2 here.
The following architecture books are a must-have for every Architect, student Architect and Architect enthusiast.
Dark allegory describes the narrator’s journey up the Congo River and his meeting with, and fascination by, Mr. Kurtz, a mysterious personage who dominates the unruly inhabitants of the region. Masterly blend of adventure, character development, psychological penetration. Considered by many Conrad’s finest, most enigmatic story.
Red Schuhart is a stalker, one of those young rebels who are compelled, in spite of extreme danger, to venture illegally into the Zone to collect the mysterious artifacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a “full empty,” something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he’ll keep going back to the Zone, again and again, until he finds the answer to all his problems. First published in 1972, Roadside Picnic is still widely regarded as one of the greatest science fiction novels, despite the fact that it has been out of print in the United States for almost thirty years. This authoritative new translation corrects many errors and omissions and has been supplemented with a foreword by Ursula K. Le Guin and a new afterword by Boris Strugatsky explaining the strange history of the novel’s publication in Russia.
The Tao Te Ching by Lao Tzu is one of the most widely read and deeply cherished books in the world, a work many consider the wisest book ever written. In his introduction, translator Brian Browne Walker says, “It is less a book than a living, breathing angel.” In his new translation, Walker stays close to the direct literal accuracy of the Chinese characters while producing a modern, exceptionally clear version that has the ring and voice of Lao Tzu, a man who may or may not have been a single individual. “I have come to think of Lao Tzu less as a man who once lived,” Walker writes, “and more as a song that plays, eternal and abiding.”
In this book, Bernard Rudofsky steps outside the narrowly defined discipline that has governed our sense of architectural history and discusses the art of building as a universal phenomenon. He introduces the reader to communal architecture–architecture produced not by specialists but by the spontaneous and continuing activity of a whole people with a common heritage, acting within a community experience. Indeed, Rudofsky sees the philosophy and practical knowledge of the untutored builders as untapped sources of inspiration for industrial man trapped in his chaotic cities.
Spiro Kostof’s groundbreaking work, A History of Architecture: Settings and Rituals, helped to reshape the study of architectural history. His book extended beyond the discussion of great monuments to find connections with ordinary dwellings, urbanism, and different cultures from around the world.When the late Spiro Kostof’s A History of Architecture appeared in 1985, it was universally hailed as a masterpiece. Insightful, engagingly written and graced with close to a thousand superb illustrations, the book offers a sweeping narrative that examines architecture as it reflects the social, economic, and technological aspects of human history.
Since its original publication in 1978, Delirious New York has attained mythic status. This influential cultural, architectural, and social history of New York is even more popular, selling out its first printing on publication. Rem Koolhaas’s celebration and analysis of New York depicts the city as a metaphor for the incredible variety of human behavior. At the end of the nineteenth century, population, information, and technology explosions made Manhattan a laboratory for the invention and testing of a metropolitan lifestyle — “the culture of congestion” — and its architecture.
The book is organised into three distinct sections that in turn highlight the significance of spatial intelligence for architecture: the first section provides an overview of spatial intelligence as a human capability; the second section argues how the acknowledgement of this capability in architectural education and the profession should enable the demystification of the practice of design, forming the basis of a more democratic interface between society and practice; the final section explores exciting new opportunities for practice in the linking of real and virtual environments in the information age.
Peter Eisenman, renowned for his own controversial and influential body of work, looks at ten leading architects of the twentieth century and their theoretical positions, technological innovations, and design contributions. Eisenman identifies a project within the oeuvre of each of these architects—Luigi Moretti, Ludwig Mies van der Rohe, Le Corbusier, Louis Kahn, Robert Venturi, James Stirling, Aldo Rossi, Rem Koolhaas, Daniel Libeskind, and Frank Gehry—that has profoundly affected architectural discourse and practice. With drawings, diagrams, and always-incisive text, he presents each architect’s theoretical position, and then offers detailed critical analysis of the project.
In this book, Moneo looks at eight of his contemporaries – all architects of international stature – and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo’s discussion of these eight architects – James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron – has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo’s own deeply held convictions as he considers the work of his contemporaries.
Ryoma Ga Yuku is a historical novel about Sakamoto Ryoma, a samurai who was critical in bringing about Japan’s Meiji Restoration, after which values and elements from Western culture were introduced into the country, prompting many changes.
Saka Nu Ue No Kumo is a novel set in the Meiji period in Japan, focusing on three characters from the city of Matsuyama. Originally published as a series from 1968 to 1972 in eight volumes.
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